As we know from mainstream Hollywood cinema, it's easy to rely on computer-generated tricks and techniques to enrapture an audience – no matter how young or old. The increasing sophistication of studios such as Pixar in developing feature-length animation has been a story of technical, as much as creative, development. However, the enduring properties of story, character, and narrative structure are omnipresent, and producing great work with beautiful, creative visuals doesn't necessarily result in the desire to create an all-out sensory extravaganza. When story and character are at the fore of the creative process, the role of the computer becomes one that supports, that realises the idea, rather than one that helps to generate the idea in the first place.
Grant Orchard is perhaps best known for his series of films, Love Sport. They featuring, as Orchard puts it, "... simple graphic shapes that bounce around a lot and do all things sporty." It is, of course, a lovely understatement; Love Sport is a frantic, energetic exploration of sport which evokes Len Lye in its kinetic colourplay.