The little protocol that could

As devices decrease in size yet increase in complexity, they need to exchange more data. This creates a problem in terms of both devices and networks, because the way in which data has historically been sent and received between them has been designed for much larger systems. You don't want a UPS van each time you're sending a birthday card. In this space, enter the MQTT protocol.

Andy Piper. Photo by courtesy of Andy Piper

 

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A load of crystal balls

Everyone loves to make a prediction. Everyone in digital really loves to make a prediction.

Ever So Slightly Delayed by Ben Sutherland, CC licence

While this year was, disappointingly, not the year of flying cars and the Sunday lunch in a pill, what did it contain - and did our friends in the (cough) digital space get any of it right? Did any of them invoke the prediction first used by Cistercian Monks in the year 1098, that "this year will be the year of mobile"?

We've aggregated some of the predictions below - verbatim where possible.

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In conversation with... Gregory Povey and Simon White

A near-perfect storm of a contemporary culture that revels in the past, combined with mass computing power and storage to record seemingly everything, has changed the way in which we view the one thing which is uniquely ours – our memory. The ever-fragile relationship between subjective and collective memory is being transformed through what, on the face of it, is an increasingly ironic world: where everything is personalised within the context of a global shared experience.

To discuss the past, present and future of memory, Imperica invited two leading thinkers – Simon White and Gregory Povey - to come together for a discussion. Projects from the participants include MemCode and My Earliest Memory.

Gregory Povey, Simon White. Photographs by courtesy of Gregory Povey and Simon White

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Appeal time

OK, time to get serious.

@Dabitch by Deeped Strandh, CC licence http://www.flickr.com/photos/nslashdot/5561991501/sizes/m/in/photostream/

One of our favourite sites, the highly-regarded, well-respected and decade-old Adland, is in trouble.

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Christmas: a time for giving

Adam Buxton, the one that is not "& Joe" of Adam & Joe, has produced a tear-inducing song that celebrates all that is good about Christmas: specifically, the ads.

Poopants by Katsommers, CC licence http://www.flickr.com/photos/katsommers/4993128569/sizes/m/in/photostream/

It's classic Buxton, spliced together from the year's best ads (well, the year's ads).

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Our new look

This is the new look for Imperica.

Oxford Market

After 18(ish) months, this is the third redesign. This redesign, and the past one, have been evolutionary rather than revolutionary. In this redesign, we have made a number of improvements which result in a better and more effective editorial. The design has been led by the content, not the other way around.

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Get some Dick down you

Today at 4.30 - and later on iPlayer - is Great Lives, BBC Radio 4's series celebrating, well, great lives. This week, it's Philip K Dick.

Philip K Dick by p373, CC licence http://www.flickr.com/photos/p373/3291621742/sizes/m/in/photostream/

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Spotting on the move

Raphaëlle Heaf and the team at ArtSpotter have launched their new iOS app, just in time for spotting some art over the Christmas break.

 

Raphaelle Heaf

 

The app features a location-based search - inevitably it searches for local galleries, but looks for specific exhibitions too - and allows users to add new galleries, exhibitions, and photos to the database. It has member follow functions, and allows you to see what people have bought from art collections across the world (a nice touch for the curtain-twitching inquisitive ones among you).

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Movable feasts

Still from Sufjan Stevens promo; image provided by courtesy of Grant Orchard / StudioAKA

As we know from mainstream Hollywood cinema, it's easy to rely on computer-generated tricks and techniques to enrapture an audience – no matter how young or old. The increasing sophistication of studios such as Pixar in developing feature-length animation has been a story of technical, as much as creative, development. However, the enduring properties of story, character, and narrative structure are omnipresent, and producing great work with beautiful, creative visuals doesn't necessarily result in the desire to create an all-out sensory extravaganza. When story and character are at the fore of the creative process, the role of the computer becomes one that supports, that realises the idea, rather than one that helps to generate the idea in the first place.

Grant Orchard is perhaps best known for his series of films, Love Sport. They featuring, as Orchard puts it, "... simple graphic shapes that bounce around a lot and do all things sporty." It is, of course, a lovely understatement; Love Sport is a frantic, energetic exploration of sport which evokes Len Lye in its kinetic colourplay.

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Want to honour a digital artist? Now's your chance

Dish by Secretlondon123, CC licence http://www.flickr.com/photos/secretlondon/2805240725/sizes/m/in/photostream/

 

The Distinguished Artist Award for Lifetime Achievement in Digital Art is now open for entries. It's an annual award to a creator of a significant body of work in digital art.

 

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BERG launches the Little Printer

This is the Little Printer. Hello, Little Printer!

 

BERGCloud Little Printer, copyright BERG

 

Taking some fondly-remembered old technology and removing the peripheral wobble, it's a... well, it's a little printer. It's a printer, and not big.

BERG's new product is designed to print those handy little notes: the day's agenda, places where you should be going, and so on. It talks to your accounts over at Nike+, 4sq and the like. All the handy stuff you want, on neat little bits of dead tree.

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Platform for art

Robert Norton. Image by courtesy of www.seditionart.com

As interconnected digital media increasingly gives us a lens with which to view the world, it should come as no surprise in terms of where its tentacles go next. Having taken – and shaken – the music and film industries, it's now working its way through publishing, with the lens itself moving from a chunky white box to a curved aluminium tablet. Art may be next on its list of markets to disrupt, if not conquer.

With that in mind comes s[edition], a new platform to collect digital versions of works from leading contemporary artists. It provides a means of "digital collecting" - a way to securely store artworks in digital form, and to display them through an image viewer, a video player, or through a bespoke iOS app. The collection available at launch is from nine artists, and comprises of work made especially for s[edition], as well as some re-purposed for the medium.

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Epic visions

Dawid Marcinkowski. Photo by copyright of Dawid Marcinkowski.

 

In the age where attention is currency, grand, epic works have to fight for everything that they can get. Where Internet-based digital media and platforms allow for the staging of expensive (or at least expensive-looking) work in a way that circumvents the costly issues of distribution, they face an issue of maintaining viewing times when the viewer paradigm for "big, interactive stuff" is largely focused on the Xbox or PS3.

Dawid Marcinkowski is up for the challenge. The director of Sufferrosa, an extraordinary piece of big interactive fiction to which the player moves through the world in the first person, aiming to discover the real story behind the disappearance of Rosa Braun. Taking elements from computer gaming, film noir, Godardian iconography and the contemporary perceptions around aging, it is a work which, in every sense, spans many levels.

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Blood lines

     

 

Blood Relations is a film which is a culmination of The Impossible Brief, a project from Saatchi & Saatchi Israel which launched at Cannes in 2010. The objective of the Impossible Brief project was to develop and present ideas which would help to bring Israelis and Palestinians closer together.

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Looted

Creative Social

 

Creative Social's recent event Creative Looting featured a number of lovely folks examining the ethics of being original and taking risks, or following the crowd and being inspired by what's already out there. Below are the presentations from the speakers. Enjoy.

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YO! SapientNitro Raps

Nova Street by Rob SG, CC licence http://www.flickr.com/photos/rob_sg/6309547930/sizes/m/in/photostream/

 

What? What's that, you say? It's been ages since you last saw an agency murder- er, produce a great music video featuring its staff?

 

To feed your desire for this... er... phenomenon, SapientNitro's production team, Studi-YO! (they haven't heard of Nathan Barley, have they?) have produced this spectatular piece.

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Space odyssey

Muffin Cubes by Alisdair, CC licence http://www.flickr.com/photos/alisdair/199520227/sizes/m/in/photostream/

 

Arts Council England and the BBC have announced The Space, a new digital arts/media commissioning programme. Running next summer, it's designed to be a developmental project which invites artists to collaborate in order to produce new and challenging work. £2.5m is promised from ACE, with multiplatform support and mentoring from the Beeb.

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Snow data

More lovely work from Alexandra Deschamps-Sonsino and the RIG folks. FRSTEE is the "world's first Twitter snowman":

 

You enter a Twitter username and we extract the data we need. Then you fill in the order form and pay us using PayPal.

Your data is turned into a 3D design file and printed on a machine called the Z-Corp. This makes individual 3D objects by applying glue to a bed of powder to make a durable solid object. Colour is applied to eyes, nose and buttons and the whole thing is cured to make it long-lasting.

Then we pop it in a box and dispatch it to you, causing a uniquely Social Media frisson around your festive tree.

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Jewellery in Miami

Goldfinger by Bruno Martinazzi Presented By Didier Ltd. At Design Miami/ 2011

 

Design Miami takes place next month, supported by their blog and Twitter feed along the way.

London jewellery gallery Didier will be there for the first time, showing works from artists including Alexander Calder, Louise Nevelson, George Rickey,  Arnaldo Pomodoro, Fernand Leger, Claude Lalanne, and two up-and-coming artists called Pablo Picasso and Salvador Dali. According to owner Didier Haspeslagh, "The pieces we are showcasing at the fair are truly miniature works of art and sculpture that can be worn. They are not pieces of jewelry in the conventional sense where the carat of the diamond and the weight of the gold is paramount. Our jewels are art and design," explains Gallery Owner .

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The ten commands of Douglas Rushkoff

Douglas Rushkoff talks about the Internet and economic models in his new talk, Ten Commands for a Digital Era, recently given to Etsy Berlin.

 

 

 

It's a good piece, made all the better when you watch it here - over on the Smithery Blog - Smithery being the business of none other than John V Willshire. John has added his commentary and some lovely photos, making it all the more thought-provoking.